those two silent creepy killers that set the chain of events in the film at the start).
This is also a joy when you watch Tarantino flicks, though here the tone's more like a Harold and Kumar Go to White Castle: the tone is constantly irreverent, and often the laughs - massive ones, from the guts many times over - come from these guys being funny together, having perfect timing, and that they keep on coming up against greater and more dangerous obstacles (i.e. With the exception of Method Man's Cheddar, almost none of the major or supporting characters is quite who they seem to be. That last part is a lot of what drives the humor, and it helps that a) they commit to these 'characters' within their characters, and b) there are other "roles" being played by others. They can both be comic relief or they can be the straight guy something in a scene or happening just before it will trigger one of them to get even 'more' into character. There's an affection that seeps through, and it's also telling a story that makes it so that Key and Peele aren't just one ting throughout. It has an authenticity not unlike Hot Fuzz this is made by people who, I suspect, really love these scuzzy, ultra-violent action flicks (and the whole angle of the cat comes from John Wick, albeit it's not quite *that* violent, few things are). I think what helps is that you believe this action-thriller movie world. There were a couple of things I knew I could expect - George Michael jokes to be sure, though not quite to the extent where Key gets the others in the gangster crew, well, into that s*** - but I didn't expect that they could keep up the humor throughout.
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The trailer promises some fish-out-of-water fun, where the comedy duo (coming to movies for the first time following a successful Comedy Central series also skewering race and pop culture in expert ways), playing basically middle-class dorks, have to descend into the criminal underworld of the 17th Street Blips (you can find them on 17th Street, naturally) in order to retrieve Peele's character's cat dubbed the title character (posters for other Warner brothers HAM classics like Heat and New Jack City, the latter being ironic for a couple of reasons, don his walls).
But this is also something we see a lot in movies and television (even, of course, The Wire had its gangster elements in a strip club/drug slinging world), and it's very much in both a real world context and the movies in tandem that Key and Peele come in with their characters in the extremely, surprisingly funny Keanu. If you want to be part of a crew doing things like slinging drugs or hanging in the back of a strip club, you got to have a walk, you got to have the right talk, you got to know that guns will be part of it and probably doing drugs from time to time as well (and if you got to plug a few people along the way, well, all the better for street cred).
When it comes to being a 'gangsta' (or um 'gangster' is the way to say it but I usually see it spelled the former way), people tend to come in that lingo of "H.A.M" (Hard as a Moter-effer).